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Wednesday, December 21st, 2016
8:44 pm - Camtasia Studio 9 Tutorials | Camtasia Studio 9 full Tutorial | How to E...

elearningacade
Camtasia Studio 9 Tutorials | Camtasia Studio 9 full Tutorial | How to Edit videos on Camtasia Studio 9. Hello viewers, Welcome to E Learning Academy. In this video I will show you how to edit videos on Camtasia Studio 9 Step by step. Show you all the functions that you can use on video editing in camtasia studio 9. By following this Camtasia Studio 9 tutorial you will able to start your video editing. Start from add a annotation to your media file, Using pre set library asset, adding transition on your videos, add behavior to your video make more professional, Audio effects and green screen video production can be learn by watch this video. Even you can gives a professional looks to your videos. After watch the video you will have the proper knowledge about how to edit YouTube Videos with Camtasia Studio 9 Hope you will enjoy it to learn.

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Tuesday, September 13th, 2016
1:43 pm - NSCaster live broadcast for TV station

ext_3706068
Our web casting services are designed to satisfy your event’s model and expand your audience. It can be used for live streaming any programs to a worldwide audience in real time.

TV program recording and broadcasting
NSCaster can be your necessary device for various TV program recording and broadcasting. It allows video signals simultaneous streaming to network platform and also adds prepared local files to the live broadcasting. With powerful Transition Effects, CG editor, overlay channels, real-time Chroma Key and especially varieties of virtual sets, NSCaster can satisfying all kinds of program scene and create more specialty and fun for recording and broadcasting.
Portable device and affordable broadcasting cost


For any private TV stations, local media institutions, NSCaster provides an ‘easy to use and use to go’ solution for broadcasting against traditional broadcasting trucks with difficulties in professional construction and operation. It makes your live broadcasting workable and affordable, and brings more opportunities and challenges for small and medium size TV stations.

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Monday, September 5th, 2016
3:35 pm - NSCaster in wedding industry

ext_3706068
Not only for royal wedding or super star’s wedding, live wedding is more and more welcomed and adopted by common citizens. NSCaster is a great solution for those who want live stream their weddings.


You can customize your live wedding effects with NSCaster systems just as you customizing your wedding procedures. NSCaster can not only record and broadcast live scene, but also load prepared media files and even make remote connections with relatives and friends who cannot attend the wedding. Those unable to attend because of illness, flight delays, weather etc. still can be a part of your special day.It allows audiences to watch real-time live wedding and share the feelings of the joyful and happiness from anywhere worldwide with internet access.

The number one thing for live wedding is the broadcast safety, making sure everything will work during the wedding site while NSCaster give you the chance to prepared before wedding. Customized CG and virtual scene, predefined media files, remote videos, makes your live wedding under control.

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Friday, September 2nd, 2016
2:51 pm - NSCaster recommend streaming setting to Hitbox.tv

ext_3706068
NSCaster is HD streaming software. NSCaster streaming setting can modify as user like. NSCaster have only some default settings because its HD and support up to 108060p

These setting for 720HD

NSCaster recommends settings to Hitbox.tv send a single stream at 720p resolution using the following settings:
Quality Resolution Video Bitrate Audio Bitrate Frames Per Second Video Codec h.264 Profile Keyframe interval Audio Codec Audio Channels
HD 720 1280x720 1000 - 2000 kbps 48-128kbps 30 h.264 Main 2 Seconds AAC Mono or Stereo




It’s for continues streaming to hitbox.tv HD quality.



These settings for 1080p
NSCaster recommends settings to Hitbox.tv send a single stream at 1080p resolution using the following settings:

Quality Resolution Video Bitrate Audio Bitrate Frames Per Second Video Codec h.264 Profile Keyframe interval Audio Codec Audio Channels
HD 1080 1920x1080 4,000-8,000 kbps 128kbps 30* h.264 Main or High 2 Seconds AAC Stereo




It’s for continues streaming to hitbox.tv HD quality.


· For successful live streaming, you need a high quality internet connection. A connection that is sufficient to check email or load web pages may not be good enough for streaming. You don't need "an" internet connection, you need a high quality internet connection, particularly to do uninterrupted HD streaming.
· Not all connections are of the same quality. You want to use a wired ethernet connection and not use WiFi as WiFi connections are more prone to fluctuation in quality and can more easily drop.

· If you are not on a coporate network, you can check with your internet service provider to purchase a plan that has the appropriate level of service for streaming.

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Thursday, September 1st, 2016
10:27 am - NSCaster in religious activities

ext_3706068
Achieve connecting and broadcasting all kinds of Church events and provide unbelievable live experience by all-in-one live studio NSCaster.
Remote connections
NSCaster allows church members connecting any events by remote attendance. For those who unable to attend the events, they have the choice to watch online at home or connect their video and audio calls by computer/mobile devices into the site and also get a CD copy/video files after events. In this way, it provides an alternative way with community members to raise the retention.
Set up a live studio in the church in a most convenient way
With only NSCaster device and camera inputs, recording and broadcasting can be realized to present all congregations locally or worldwide. With the help of our mobile app. VJLiveEncoder, mobile devices can also be used as camera inputs to satisfy your multiple view request and further reduce your recording cost.
More valuable effects NSCaster brings to you
*No need to deal with complex contract with streaming suppliers, do it by yourself in an easy and practical way
*Gain more flexibility in terms of camera settings, event durations, activities procedures as everything under control by the host
*Largely increse the awareness and involvement of potential audience

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Wednesday, August 31st, 2016
4:15 pm - Recommended streaming settings

ext_3706068

1080p @60fps

· When scheduling Events, make sure to check the 60fps box in the Ingestion Settings tab. Stream now will auto-detect the frame rate and resolution.

· Resolution:  1920x1080

· Video Bitrate Range:  4,500 - 9,000 Kbps

1080p

· Resolution:  1920x1080

· Video Bitrate Range:  3,000 - 6,000 Kbps

720p @60fps

· When scheduling Events, make sure to check the 60fps box in the Ingestion Settings tab. Stream now will auto-detect the frame rate and resolution.

· Resolution:  1280x720

· Video Bitrate Range:  2,250 - 6,000 Kbps

720p

· Resolution:  1280x720

· Video Bitrate Range: 1,500 - 4,000 Kbps


Encoder settings

Protocol:

RTMP Flash Streaming

Video codec:

H.264

Frame rate:

up to 60 fps

Keyframe frequency:

Recommended 2 seconds

do not exceed 4 seconds

Audio codec:

AAC

Bitrate encoding:

CBR

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Friday, August 26th, 2016
1:07 pm - NSCaster in educational industry

ext_3706068
NSCaster can be an applicable solution for educational institutions, whether in classroom, lectures, graduations or various activities.
NSCaster allows you to completely record teaching contents and student interactions of open class and stream to school web or any other live-broadcasting platforms. It can be a valuable teaching material for students and lecturers to repeat watching, studying and discussing, consequently facilitate study resource sharing and teaching quality improving.

Also, all kinds of campus cultural activities are important parts of quality education, provides all levels of school campus cultural activities with a powerful, easy-to-operate, ultra portable broadcasting system, capturing moments in real-time and quickly transmitting information of campus culture. By utilizing NSCaster, school channels can cover, report and broadcast various activities such as graduation ceremony, student orientations, art festival shows, student union campaigns, anniversary celebration etc. in an attractive and effective way.
 

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Thursday, August 25th, 2016
2:01 pm - What is FPS

ext_3706068
Frames per Second (FPS) is a measure of how motion video is displayed. The term applies equally to film video and digital video. Each frame is a still image.
When dealing with FPS, it is important to also understand other terms that are used throughout the Encoder:

· NTSC: National Television Standards Committee. The NTSC is responsible for setting television and video standards in the United States. The NTSC standard for television defines a composite video signal with a refresh rate of 29.97 FPS. The NTSC standard also requires that these frames be interlaced.
· PAL: Phase Alternating Line. The dominant television standard in Europe. The PAL standard delivers 25 FPS.
· Interlaced: Each NTSC or PAL video frame consists of two "fields." When displaying video, an NTSC television draws one field every 1/60th of a second, and PAL televisions display one field every 1/50th of a second. Interlacing involves merging the alternating fields of an image into a single frame. The process of separating the single field back into the original two fields is called DeInterlacing.
For a NSCaster project, 1080p25FPS is often selected and enough to use, NScaster can provide up to 1080p60FPS.
Frames per Second (FPS) is a measure of how motion video is displayed. The term applies equally to film video and digital video. Each frame is a still image.
When dealing with FPS, it is important to also understand other terms that are used throughout the Encoder:

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Wednesday, August 24th, 2016
10:54 am - Remote Connection — the Master Piece of Interaction that on Top of Time and Space

ext_3706068
The internet is developing so fast that it almost reaches into every part of our lives.The network that all across the world is able to connect the dots into lines to wipe out the distance of time and space, which help to achieve the things we couldn’t even imagine before. The accomplishment of remote connection is bringing the various and convenience function of remote live broadcasting .
Nagasoft is in promoting the portable integrated live production software and device – NSCaster which is an advanced live broadcasting device with a full set of remote interacting function .
NSCaster can capture the remote video signal into net channels via the internet. In that case, wherever your live signal comes from, it is able to access to the NSCaster to broadcast lively. It can be used to do remote interview, user interact, live report, etc. Remote guests can connect their video and audio by PC, laptop, mobile devices into NSCaster.
Also, NSCaster is able to capture the desktop of remote computers through the internet by VJVGA desktop capture system in an easy and practical way .
Aprat from that, the user can create and edit CG subtitle and publish it remotely simply using a laptop via the network .
By NSCaster and other supporting products, Nagasoft is presenting you a perfect live experience with powerful features and comprehensive service as a live production expert.

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Monday, March 2nd, 2015
6:08 pm - SEO Expert Irvine California studio T! west 949-547-7246
ext_3036913

current mood: ecstatic
Wednesday, July 16th, 2014
11:26 pm - Carrete

deoxyt2




current mood: okay

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Monday, January 20th, 2014
3:23 pm - Dem Bunions

hairypolack

Something I made in After Effects and Flash

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Monday, August 5th, 2013
9:56 pm - What camcorder?

catspur
Hi I don't know much about this, hence asking here, but I am thinking of getting a new/used camcorder. I have only a small budget, and am wondering what I might get for £100, £200 and £300 . I film puppets. My [very] old camera is a Sony CCD-TR3200 PAL using Hi8 tape. Any pointers please? Help would be most appreciated. I am in the UK.

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Sunday, January 1st, 2012
9:35 am - Video Standards - In The Real World In 2012

sc0t
Whereever you go in the world, you have to deal with the real world and the broadcast standards that exist there. The same is true for the local level as well. While SD and HDTV are introducing a new picture for TVs around the world most of the world still falls into one of two catagories:

PAL

Afghanistan
Algeria
Argentina (N)
Austria
Australia
Bangladesh
Belgium
Brazil (M)
China
Denmark
Finland
Germany
Hong Kong
Iceland
India
Indonesia
Iraq
Ireland
Israel
Italy
Jordan
Kenya
Kuwait
Liberia
Malaysia
Netherlands
Nigeria
Norway
New Guinea
Pakistan
Singapore
South Africa
South W. Africa
Sudan
Sweden
Switzerland
Thailand
Turkey
Uganda
United Kingdom
United Arab Emirates
Yugoslavia
Zambia


Or NTSC

Canada
Chile
Costa Rica
Cuba
Dominican Republic
Ecuador
Japan
Mexico
Nicaragua
Panama
Peru
Philippines
Puerto Rico
South Korea
Taiwan
U.S.A.

NTSC is defined as 30 frames transmitted each second. Each frame is made up of 525 individual scan lines. . In PAL, 25 frames are transmitted each second. Each frame is made up of 625 individual scan lines.

Early televisions varied in their displayable area because of manufacturing tolerance problems. There were also effects from the early design limitations of linear power supplies, whose DC voltage was not regulated as well as in later switching-type power supplies. This would cause the image to shrink when AC power 'browned out', as well as a process called blooming, where the image size increased slightly when a brighter overall picture was displayed. Because of this, TV producers could not be certain where the visible edges of the image would be. In order to cope with this, they defined three areas:

Title safe: An area visible by all reasonably maintained sets, where text was certain not to be cut off.
Action safe: A larger area that represented where a "perfect" set (with high precision to allow less overscanning) would cut the image off.
Overscan: The full image area to the electronic edge of the signal.

A significant number of people would still see some of the overscan area, so while nothing important to a scene could be placed there, it also had to be kept free of microphones, stage hands, and other distractions. Studio monitors and camera viewfinders can be set to show this area, so that producers and directors can make certain it is clear. When activated, this mode is called underscan.

Action safe Title safe
Vertical Horizontal Vertical Horizontal
4:3 3.5% 3.3% 5.0% 6.7%
16:9 3.5% 3.5% 5.0% 10.0%

Correspondingly overeas, its PAL:
14:9 (displayed on 16:9) 3.5% 10.0% 5.0% 15.0%
4:3 (displayed on 16:9) 3.5% 15.0% 5.0% 17.5%

Microsoft's Xbox game developer guidelines recommend using 85 percent of the screen width and height, or a title safe area of 7.5% per side.

While experts disagree on the exact percentages, they do agree it is mostly 5% - 10%.

We call this Nominal Analogue Blanking
The exact width is determined by taking the definition of the time required for an active line in PAL or NTSC, and multiplying it by the pixel clock of 13.5MHz of Digital SDTV. PAL is exactly 52?s, so it will equate to exactly 702 pixels.


SD or Standard Defination video is still used widely, and likely what you will want to aim for to reach the widest possible audience, although this is changing as HDTV emerges.

Video Format, Resolution, Pixel Aspect Ratio, Equivalent square-pixel resolution

PAL 4:3 704×576 12:11 768×576
PAL 4:3 720×576 12:11 786×576
PAL 16:9 704×576 16:11 1024×576
PAL 16:9 720×576 16:11 1048×576
NTSC 4:3 704×480 10:11 640×480
NTSC 4:3 720×480 10:11 654×480
NTSC 16:9 704×480 40:33 854×480
NTSC 16:9 720×480 40:33 872×480

29.97 vs 30 FPS
29.97 is 30 fps, just running at a different speed. The main issue to watch out here is for audio syncing issues, although for most modern devices and softwares this is not a problem. If you are using Quicktime, that is another story altogether.

When black & white TV was first introduced in the US, it played at 30 frames per second. The AC power available at every wall outlet alternates at a rate of 60 cycles per second, providing an easily available sync signal. In Europe, the AC power oscillates at 50 cycles per second, hence their adoption of 25 frame per second video rates. The conversion between times based on 25 or 30 frames per second is relatively simple. If that were the only timecode problem facing video producers this document would be unneccesary. With the development of color TV, however, the situation became more complicated. The added color component to the broadcast TV signal could sometimes interfere with the preexisting audio. Changing the audio's format would have made all existing black & white TVs incompatible. The solution was to nudge the picture rate down from 30 to 29.97 frames per second. Today, all TVs in the US, Canada, Mexico, and Japan play at this rate. This color TV format is named after the committee that defined it: the National Television System Committee, or NTSC.

A frame-counting scheme called drop-frame has been developed that will allow users to ignore the distinction between 29.97 and 30 when interpreting timecodes. The details will be discussed below, but the central idea is important:

Drop-frame timecodes are defined so as to look like 30 frame per second times, and to reflect accurately the actual time elapsed. In particular, time durations found by subtracting drop-frame timecodes will be accurate to within one or two frames over arbitrary length intervals.

The time between frames is 1/29.97 seconds, or 0.03336666... seconds, which is a bit longer than 1/30 = 0.03333... seconds. (Notice this reversal of relationship: larger frame rates mean smaller time intervals. In a conversation where one person is talking about frequency and the other about time, it is easy to get out of sync.) Another way to look at it without having to look at reciprocals is to say that 29.97 frames/s means that 2,997 full frames are presented in 100 seconds.

Mpeg-1, expressed in file formats as .mpg, is generally encoded at 1.5 Mbit/s although much higher bitrates can be used, and is generally a 4:3 aspect ration, or 640 x 480 pixels. Mpeg-2 was developed for DVD, and supports interlacing and high definition. It is used on DVDs and also for Blu_Ray DVDs.

MPEG-4 moves closer to computer graphics applications. In more complex profiles, the MPEG-4 decoder effectively becomes a rendering processor and the compressed bitstream describes three-dimensional shapes and surface texture. Mp4 achieves higher compression rations than Mpeg-2.

Despite the many years of setting standards, software and devices still give you different widths and heights, or even worse, the same width and height that represented a different region of the underlying video signal.

Know your software and the hardware you want to display it on and you will be able to achieve your intentions. Color temperature and resolution are factors that make the situation even more complex, as does pixel size and shape that you are dealing with. Aim for the middle, and go for over the top and you should do OK. Until next time............

I am MAD STUDIOS.
email me at madstudios30620@gmail.com


In later articles I will cover:
1:1 pixel mapping
H.264
MPEG-4 Part 10
MPEG-7
HDTV

current mood: thankful

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Tuesday, May 3rd, 2011
7:00 pm - Demo reel

hairypolack
Id be so unemployed for so long I just kinda gave up and went back to schhol to learn after effects...........

can you folks point me to a youtube video that you think is a really good demo reel

"THAT guy would get hired by me"

and / or tips on what to put into a demo reel in 2011 that will actually get me some kind of job?

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Thursday, February 3rd, 2011
11:46 pm - Better video hosting sites

hairypolack
Better video hosting sites

whats a non youtube / vimeo site that allows "R rated" content?

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Sunday, December 19th, 2010
2:31 am - Pagan Stepdad: A Very Dresden Christmas

slimgatsby
We made a silly little Dresden Files-inspired holiday video. =) Enjoy, and Merry Christmas/Yule/Solstice/etc!

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Saturday, November 20th, 2010
12:16 pm - OMGWTF! Furries Saga - Season 1, Episode 2: Revenge of the Yiff (Part II)

slimgatsby


Watch this week as we continue to meet the cast, including not-quite-furry Martino and the illustrious illustrator Robert, while Tio Koggey faces a press conference undaunted by the sheer idiocy of it all.

In this successor to the original OMGWTF! Furries documentary, the consequences left throughout our culture for years after the original piece was completed. Some of the original cast returns. Some of the original cast has been brutally murdered. A dangerous enemy is at large, and Umgotts Studios is gearing up to release another stupid home movie. Meanwhile, a curious young man on a quest for justice, revenge, and vengeance is about to make his first foray into the furry fandom.

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Thursday, November 4th, 2010
1:21 pm - how to download youtube videos these days.

hairypolack
how to download youtube videos these days?
none of the old apps work anymore...

they say theyre downloaded but theyre zero k blank files

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Thursday, October 14th, 2010
2:02 pm - After FX Audio Synch

hairypolack
After FX Audio SYnch

Is there way to synch animation movement?

I wanted to make a music video by having FRACTAL pulse and move in synch with the music.

I'm assuming theres an auto way to do this without all that keyframing... to just have AE move the fractals in beat with the audio waveform...

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